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by Jack Lowrey
You can’t even begin to imagine the pressure on Paul Banks as he sat down to begin writing Interpol’s new album, ‘Antics’. After seeing fellow New Yorkers The Strokes take heavy criticism for their sophomore attempt, and witnessing the inexplicable popularity of shit-rock – a la Jet - you feel that Banks must have feared for Interpol’s mortality, or that they had lost their voice in an increasingly crowded market place.

But instead of snapping under the pressure and resting on their not inconsiderable laurels, Interpol have produced a soaring, inventive album that, while incorporating the deliciously dark atmosphere of ‘Turn On The Bright Lights’, merely uses it as a base to create more ambitious, warmer soundscapes.

Interpol’s debut was all about style. The first time round, we ate up their synths, throbbing base, and haunting vocals in the same way we are this year intrigued by The Killers’ narcotic energy and neon fascination. Style is all well and good for a debut, but second albums require more substance and further expansion. Thankfully, ‘Antics’ delivers in spades. LP opener ‘Next Exit’ sounds the band’s intention to move beyond their dark, prescribed sound, as church-like organs drone, offering up a refreshing feel. Probable single ‘NARC’ is an absolute pleasure of a track that focuses around an insistent Daniel Kessler guitar line and builds into a gorgeous, ebbing wave of noise reminiscent of rarity and fan favourite ‘Specialist’. Bursting with creative confidence, Interpol even experiment with Banks’ voice as a background sample for album closer ‘A Time To Be So Small’.

Indeed, it’s Bank’s voice that is one of the most exciting discoveries of ‘Antics’. His calm, low vocals are the glue that bonds this occasionally disparate band together. Disappointingly though, he hasn’t matched his lyrical advances with that of his songwriting. You’d expect to find better poetry on the essay section of a TOEFL exam than ‘Antics’. So you get the otherwise great track ‘Take You On A Cruise’ opening with the cringe-inducing line: “Time is like a broken watch / I make money like Fred Astaire.” On an album where the vocals have been proudly pushed to the front of the mix, such awkward phrases become more apparent, and thusly more troubling. In context though, the trite lyrics never taint the record’s abundant qualities. For this is an album to be treasured and adored.

Thusly we can only urge you to the bright lights off of Mr. Doherty and his like, pointing them back onto these dark princes, Interpol. We just may have found the album of the year…

  • Interpol 9 / 10
Words: Jack Lowrey

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I've been reliably informed by several people that Antics is shite - this review makes me more optimistic. I see the rubbish lyrics are still a problem though, he really needs to work on those.

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I am not intrigued by the killers.

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I don't understand how the lyrics can be criticised for being shit and then the album can STILL get such a high rating. Personally, I think it's a pretty poor effort musically too and doesn't come anywhere near touching the high points of TOTBL.

It's their lyrics that really annoy me though. And it's not just them. No-one's writing good lyrics these days. !!! are another big offender. Pah!

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... but do you really really expect anything of any depth or consequence from !!!? i mean, they're superficial, everything about them is superficial, purposefully so, that's what's good about them, that's what's bad about them. so of course their lyrics are superficial too. you can't criticise lyric writing in general by randomly plucking one band!

anyway, check the work of conor oberst, guy garvey to name but two, even fucking pete doherty is writing words that hold strong meaning even if his technique's not always great. lyric writing is not dead, far from it.

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Completely agree with your choices (especially Guy Garvey, what a voice too!) and love Ben Gibbard's lyrics as well.

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It really isn't. The gothic robots have done good. Proper good. There're moments where you can hear crushed angel wings blowing in the breeze and others where they're soundtracking children gazing into the sun smiling at nothing in particular 'cept partial blindness. It's so hot and cold. There isn't anything as instant as PDA but 3 or 4 listens and it's got you in its grip.

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No, really, it is shite. A terrible disappointment compared to the first.

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the lyrics are subtle and ironic.

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I don't think you can really compare the pressure on the Strokes to the pressure that was/is on Interpol's second album, but it'll be interesting to hear the end result. I'm from the oldschool so I've refused to download it and am patiently waiting for its official release...

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>> I'm from the oldschool so I've refused to download it and am patiently waiting for its official release...

I'm not the only one, then. I seem to be one of the sole Interpol fans on this site who hasn't actually heard it yet :)

Still, as has been said above, I'm looking forward to it a bit more now. "...Bright Lights" is a classic and I'd love to see them make a genuinely interesting career of it - something so few bands seem able to do now...

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I haven't heard it yet either, also choosing to wait for the cd release.
I think the single is excellent though, maybe a little bit too much 'more of the same' but I'm sure I'll buy the album.

Lyrics aren't everything. Some of the most successful/popular bands ever weren't lyrically great.

Bohemian Rhapsody is a good example, one of the most successful singles ever released, lyrically it's bollocks.

Bands like Interpol are all about the sound and the vibe, lyrics are secondary. Although, if they really are THAT dreadful, this score may be a little generous.

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i didn't think the lyrics for totbl were *that* bad... oh, i dunno, i haven't heard the new one yet.

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cheeky people
a time to be so small was on their fukdid ep.
rerererelease.
what soes the O stand for in TEOFL stand for?

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Test Of English as a Foriegn Language

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So glad to see a good review for this, TOTBL was a masterpiece.

Oh, and there's nothing like sneaking in a cheap dig at Mr Doherty while you're writing a review :)

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I've heard it and like it.
The last thing we need is to have an identical album to the first one.
It's more direct in its sound (that's what they wanted) and they have done what all bands should do.

Progress.

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I protest the author saying that JET is a bad band. However the rest of the review sounds awesome and is better than many that I have read in Rolling Stone. I can't wait for the album

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i protest also
Jet are a fucking terrible band. to call them bad is a slur to bad. Interpol, however, are inventive and talented, two things Jet only have wet dreams about

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There's way too many acronyms in this thread. They're one of those bands who I've always thought 'I must listen to this band' and never do. I wait till Christmas and geddit as a present, me thinks.

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James fucking Mercer.

Best active lyricist at the moment.

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100% spot on. good call.

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He. Is. A. Genius.

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He's not touched on former glories lately, but Nick Cave's lyrics are fucking brilliant. 'The Mercy Seat' is one of the most awe-inspiring songs, lyrically.

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Agree about James Mercer, I have no idea how he can write such brilliant songs. Colin Melloy from the decemberists is odd but brilliant too, if you like songs about dead victorian kids and conscripts. And why wouldn't you.

I love Antics by the way. I don't think it's better than Bright Lights but it's a terrific record and the production is really powerful. It brings to miund what Franz Ferdinand will probably be trying to do in about 5 years.

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a promo version of this went for £66 today which is bloody ridiculous but shows how much people are looking forward to it. i'm pretty obsessed with 'slow hands' already and had i not blown all my money at the cock fights, would have been bidding up a storm today too.

and i think the lyrics are fine. any band that can pull off "let's see about this ham" is fine by me.

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I've heard a promo copy of Antics and have listened to it several times.

I really like it. I am a huge Interpol fan so might be accused of liking anything they do, regardless of its objective qualities.

It's difficult to avoid comparing it to 'Turn On The Bright Lights' and I found myself doing just that. Antics is more of a straightforward rock album in comparison, and has less of the light and shade of TotBL. There isn't really a track that gives you the instant pumelling of Obstacle 1 or PDA, nor is there a slow burning anthem like NYC. But what you get is melodic beauty - this time around, the melodies are less obvious and some of the dark atmosphere has been lifted with some brighter melodic themes which show a different side to Interpol.

These songs take a while to get to grips with but after a few plays and after you realise that this isn't TotBL II and Interpol have tried new approahes to constructing songs and writing melodies. This album has more of a 'grower' feel than TotBL and that excites me as many grower albums stay with you for longer (although in saying that, I often listen to TotBL 2 years after its release!!).

Although this album doesn't have the 'classic' feel of TotBL, it is nevertheless a great record and shows that Interpol certainly have more than one trick up their sleeve.

To my ears, they are simply marvellous.

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I hate this album apart from 'Take you on a cruise' and 'length of love'

would have made a nice e.p.


And The Strokes 'Room On Fire' was pretty well received.

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my condolences.


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Heard NARC, Next Exit, Slow Hands and Not Even Jail.
If the rest of the album can live up to these, we have a worthy successor to TOTBL.

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Evil is the best song Interpol have written.

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It's weird; a large number of people would have slated Interpol if they had released TOTBL mark II but these same people seem to be criticising the album for not being like TOTBL. I can't really comment as I seem to be just about the only person on this site who hasn't heard the album (call me old-fashioned, I like to wait for the release day and then buy the CD) but it seems as though those who say the album is good have been able to elaborate on their comments more than those who don't like it (who seem only to say "it's shit").

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Allow me to elaborate on why I think it's a bit shit. I am by no means an authority on Interpol, just a mere fan of the first album.

I agree that if they'd released another TOTBL then people would have complained. I personally wouldn't have done, as long as it was TOTBL with something new to it. The reason the first album was so good was because of the raw jagged riffs and the sudden changes and drop outs. Antics hasn't got that, which is fine, but depends more upon pop hooks. Sadly these hooks don't really hit the mark as some of the accidental moments on TOTBL. The first album had some melodic gems which appeared amongst the frantic playing, but this seems to conciously look for a poppier sound. Like I say, these pop moments don't hit the mark because what was so exciting about Interpol is missing. None of the choruses make you think "Fuck, I have to listen to that again"- which would be ok if it had the sound of TOTBL. It just leaves something lacking.

Admittedly, with a few more listens it might grow on me. As it happens, I'm one of those people who only downloads to try before I buy. I'm glad I didn't buy this one just yet. I'll be waiting for the 2005 HMV Sale I think.

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i disagree that this new album is about pop hooks. To be honest, i think that they make an effort not to hit you with anything as immediately catchy as PDA. Instead, they work around Interpol as a unit. Every line and part on this album is vital in building a tonal idea that they eventually resolve. I think it's great, its not only the choruses that matter...

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You know what I don't get... why DiS has to review all these albums a month or two before they come out (see Libertines, Courteny Love and this one) so nobody who doesnt download can discuss the merits of the album/review properly. Its fucking stupid... DiS just trying to get more hits with its 'world exclusives' previews etc.

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You know what I don't get?

Why you are so incredibly cynical?

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Any band who can inspire this much debate must be good! In my opinion this album is more of a grower, but still really good.

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They were playing it in Rounder Records in Brighton last week and it sounded fantastic. It's moved on from the first album, but still recognisably Interpol.

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you're looking alright toniiight...i think we should -----> go

personally i enjoy interpol's lyrics

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It's funny Banks can't write lyrics, but can sing. Ian Curtis could write great lyrics, but couldn't sing-- and still Interpol can't shake the Joy Division comparisons... nor should they. Still I like both bands... but neither is what I'd call great. Still, a band I would call great (at least their first four albums), EATB, wrote rubbish lyrics, too, from time to time. "Ca-ca-ca-cabbage," ca-ca-ca-crap.

Why do bands release the downloads BEFORE the moneymaking 'official' release? The capitalist in me don't get that.

And yes, of course, JET is shite, shite, shite.

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this is the funniest post I've ever read....Ian Curtis couldn't sing....HA. Interpol don't even deserve to mentioned in the same sentence as Joy Division, as great as the first album is.

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It's a matter of opinion...

If great singing is pitch-perfect, technically impeccable diva-warbling, then no, Ian Curtis couldn't sing.

If great singing is all about phonetic power, dramatic use of timbre, inspiring command of your words and pouring every ounce of your soul into every syllable you utter, then Ian Curtis is one of the greatest vocalists in popular music history.

I choose the latter.

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this album is amazing!!! and i thought the first one was good....

Interpol - Antics - Love, and time?

Hi everyone...

The crux of it all is the Time and Love thing. Paul Banks - lyrically - is obsessed with the words 'love' and 'time'. He machine-guns them out, and when you consider how much, it does make you wonder what you see in him lyrically. And i think lyrics are fucking important - they walk the walk, but they aint talking the talk...:

Love: (On T.O.T.B.L):
Say Hello To The Angels - '…the parts that birds love' /
'…I bury my love around you'
Obstacle 2 - '…love is the kitchen with the culinary eye'/
'…loving is coming away'
Stella - '…Stella I love you, Stella I love you, Stella I love you'.
Leif Erikson - '…love’s a pony, her love's subliminal'.

…'take my love in real small doses' (* this is bloody somewhere on TOTBL – can’t remember where though…help!)

‘Love’: (On Antics):
C’mere – ‘The trouble is that you're in love with someone else’/
‘Two lovers walk on lakeside…’ /
‘I’m in love with something real’.
Slow Hands – ‘The loving that you've wasted /
…‘celebrate the myriad ways that I love you’.
‘Length of Love’ (pretty self explanatory).
‘…Lengths and lengths of love since we started…’
Evil: ‘You’ve come to love me lightly’.
Narc: You show some love and respect/ you get some love and respect’
‘Love can you love me babe, love is this loving babe’.
Take You On A Cruise: ‘…Oh My Love’ (at the vocal loops at the end of the track)…
Public Pervert: ‘There is love to be made’.
A Time To Be So Small: ‘…Love your interest…’

Time: (On T.O.T.B.L):
Obstacle 1 - 'we can cap the old times'/
‘top the old times'
Obstacle 2 - '…it takes a long time just to get this all straight /
'…this is mine every time.' /
'…time that I found you…'
Roland - 'He always took the time/ he always took the time'
The New - 'settling down it takes time'/
'…I know i spent the time lying':
Leif Erikson - 'this could be a good time'…

‘Time’: (Antics)
Narc: ‘…she keeps on waiting for time out there’ /
‘Is time turning around?’.
Public Pervert - 'if time is my vessel, then learning to love might be my way back to sea' (*a Brucie Bonus – Time and Love, hands in hand, same line, same bloody song)…
Take You On A Cruise: 'time is like a broken watch' /
‘…people in time’ (might be ‘pitbull in time’, unsure)…
Not Even Jail: ‘remember take hold of your time dear’./
.. ‘…take time away’.
C’mere: ‘…we make time’.
Length of Love: ‘I’ve had no sense of time, since we started this thing out’.

Now, if you are still reading (and i highly doubt you are), the words 'hands', 'heart', 'lonely', 'life' - are used all the time in both albums; I can't be bothered to list them, but trust me on that one. Maybe you can play the 'heart' game, like i've played with love and time...

For the record, My brother and I fell absolutely head over heels in love with TOTBL when it came out; Interpol and Joy Division invaded the bro's/ my songwriter's bedroom at a good time. Their style and skill definately caught out eye, and we count them amongst our influences musically now.

We still listen obsessively to TOTBL. It's an absolute belter of an album - brilliant songs, great guitars, and with some of the most fantastic bass playing i've ever heard on such a record (Mon the Carlos!). Lyrically, there are a few ditches, but they songs are so strong that you kinda put them down to ironic 'twists', shrugged, and concentrated on the class songs. The fact that the words 'love' and 'time' are mentioned alot doesn't seem signifficant, because they are so cleverly interwoven in strong, well-produced material.

Antics, then. I downloaded it feverishly from a Gay man in Toronto, who was telling me how much it dissapointed him every time he listened to it. I tried to ignore him, and made my Cdr anyway. I've listened to it all the way through about 10/15 times in total now.

I honestly think Antics might be a 'grower' in the truest sense possible - but, simply, the lyrics are pretty MISS and hit. The songs are not as strong as previous songs, so the lyrics really stand out more here. I really appreciate and respect that it isn't TOTBL mk2, but i can't get into the album because of the constant repetiton of certain lyrics, and just the poor lyrics in general. Also, there's no soft ballad (NYC). There's no beautifully poetic, epic urgency (PDA, Obstacle 1, The New etc). There's none of the sexy moments when the instruments all go, and it's left to either a lonely but confident guitar/ bass playing out it's riff with no obstrusion before it bangs back in there again two minutes later; It's a 'rock album', essentially - with 'some' nice moments. Which is a real bloody shame.

For the record, i think 'Slow Hands' is a terrible single. Weak. And because i've heard the album, i really can't see an obvious standout single anyway. This one has a dancy chorus, (a novelty for the 'Pol!) but as a song it's absolutely nothing on anything on TOTBL...

So i think Paul Banks is letting the side down. Rest of the lads are doing what they do very well indeed. He's pretty shite at lyrics, but when he gets it right, he bloody gets it right...

PDA: 'you can not safely say, while i will be away, that you will not consider sadly, how you helped me to stray'...

And i'm spent...




Re: Interpol - Antics - Love, and time?

wow... a thought out post

i'm astonished. i think i'll stick to trying to decode inanity myself.

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Christ.

Have you got a lot of time on your hands, or what?

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Interpol write love songs then? What a revelation.

Re: Antics - it's a definite grower, one or two killer songs (Evil / Narc) and lots of slow burners.

Re: review - "...we are this year intrigued by The Killers’ narcotic energy and neon fascination". Are you taking the piss? The Killers are very, very basic, and very dull, standard, uninspired. They suck cock. And not in a good way.

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It's only reading this so many months later that I realise I'm a genius.

I like Interpol more now, but i stand (proudly) by this post. He needs to forget about love for a moment and write songs about homosexual camels

Yes.

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Don't bother with 'Antics', I've listened to it a few times & found it quite boring. I wouldn't say Interpol have moved on at all from their first album.
It's lacking the creativity & inventivness of TOTBL. That haunting bit at the end of PDA where the drums cut out leaving only the guitars & bass for a couple of bars. There are no touches like that in the new album. (That said I'd still like to see Interpol live if they tour the UK.)

Listen to Uncut instead. Their album 'Those Who Were Hung Hang Here' is infinately better. If you liked 'Turn On the Bright Lights' you'll love Uncut.

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wierd.
i like it.

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go buy departure - better voice and doesn't want to make you take your own life so much

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No.

The departure are by far inferior to Interpol and stink of fabrication.

Their songs are poor.

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why dont you just buy both and button it.

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good call

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I've been reliably informed that Interpols new cd Antics is sweet and it is. Interpols beauty is that they're simple and catchy. They have a unique style not usually seen. As far as bad lyrics go.... Interpols aren't bad at all. Look at everyother band exsisting right now. Only bad I can think of with better lyrics is Radiohead. Interpol I rank up there with some of the best of them. Yes, they aren't like compliacted and nor are they the most amazing thing, but they are still awesome. They explore new boundaries of music and that is what I like. Anyone who disses Interpol doesn't understand music. They are good, the emotion and the feelings the exert from their songs are awesome. People say they make you want to kill yourself or what not, but I find the lyrics quite hopeful. Everyone is gonna interpret the lyrics their own way, but lets remember kids, lyrics shouldn't matter, it's the music that matters

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New Boundaries?? Have you heard of Joy Division?

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I bought this album yesterday and know my way around it now. By far the best tracks are Evil, Narc, Take You On A Cruise, Public Pervert and A Time To Be So Small. None of the tracks are particularly BAD, but some are more forgettable (see Not Even Jail, Length Of Love). I can't believe I don't even have the CD of TOTBL, I only have it copied to my PC. It is by far one the best albums i've ever heard in a long while, and i'm not one for modern 'bands', i'm more of a solo artist lover.

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I like the album. Nuff said

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I fell in love with Antics much faster than I did with TOTBL - like, the first listen. I had the good fortune to be able to spend a few hours alone in a rental car with a good CD player (my own car has a very bad old tape deck) and I simply wallowed in the album.
The songs which really grabbed be at first were Not Even Jail and Public Pervert. Love the crash-bang start to Not Even Jail. Many of the criticisms I argee with - it lacks the light and shade of TOTBL; it is certainbly a far more accessible rockin' album. I don't think that's necessarily a bad thing either.........

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I'm coming in a little late here, but I think Antics is a hook-less turd and a MAJOR disappointment coming from a band like Interpol. Forget that they ever made TOTBL, imagine this band having never written this record had come out with this album as their debut. It would have been panned and forgotten about as nothing but a tune-less piece of garbage. There are songs that have merits, like "Evil", but even then the lack of creativity in even the song TITLES is just astonishing. Here's hoping they really decide to take 2 steps forward next time instead of 6 steps back.

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I love Antics - I actually prefer it to TOTBL. I do find myself humming along to most of the songs, which probably isn't what Interpol intended, but it's definitely one of my favourite albums this year, possibly ever!

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hmm. i know its not exactly a great adjective of the difference in albums, but quite simply.
TOTBL is one of my fave records of all time because it has a subtle brilliance to it.
Antics (dont know where it lost it, but it did) simply lost that (