Thank you.
I’ve come for passage anyway, not his re$tiform buddy fiddling with switches and knobs. David Bryant’s debut album in his lower-case-only guise, ‘The Forcefield Kids’, is totally impressive. It mixes top-notch, fucked-up electronica with free-flowing raps, see-sawing from paranoia to the political. It’s the best album I’ve heard this year to fall under the hip-hop banner, basically. So it’s a little disappointing when Bryant/passage takes to the stage and rolls into re$tiform material (granted, this is a solo and group set – the show’s billed as both passage and re$tiform bodie$). Sure, it’s decent, but totally anticon average, in the sense that anyone with a vauge concept of the label will be familiar with its style. Better is the material from ‘The Forcefield Kids’: ‘the pins in the bowels of the charmed design’ is a riot on record; live it becomes a war, churned up and twisted like scrapmetal sabers stabbing at a spent corpse. It’s ultimately the high watermark of a set that never wholly grabs the attention, to these ears at least. In the man’s defence it’s his first day in Britain, the first day of the tour, and yesterday he broke a month-long abstinence by sucking back on a whiskey bottle. The airport is to blame, so says jim. I can relate.
Part of me simply expected more, y’know? Don’t be a hater.