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Deerhunter: Cryptograms
A strangely heady brew, this; an album that knows not its place in high-street store racks, nor in the hearts of those that clasp it closest to their chests. Deerhunter is, on paper, a quintet from Atlanta, Georgia; when channelled through stereo cables and speaker cones, though, they’re so much more than a mere assemblage of constituent parts.
This is music on a par with Drum’s Not Dead-period Liars – mixed and messed up, uncertain of its specific role in the music world, but undoubtedly achieving something through doing a whole lot of weirdness that, at times, drones like next to nothing. The trick is that Deerhunter pull off their soundscape moments with considerable beauty – like so many other acts that’ve found a home on Krany these last whatever years, their drifting shards of melody glitter and glow under a blazing sun of scrutiny, never once losing a sheen of magnificence.
When the five-piece pull their gloves off things get pumping: Deerhunter are no one-trick ponies, content to craft enveloping arrangements that head nowhere and are wholly unhurried. At times the dancing shoes get dusted off and eleven gears are shifted through – what was a record of immersion twists and spits the listener out onto a damp street corner, a flickering lamppost overhead illuminating jerks and jives, impossible to control under such conditions. Again, let’s return to Liars – like the Berlin via NYC trio, Deerhunter sink deep into wide grooves from time to time, sending the listener spinning into a trance. ‘Lake Somerset’ is just one example of this.
Recorded in two sessions though it was – the wonderfully warm-feeling ‘Red Ink’ being the dividing line – Cryptograms nevertheless sounds absolutely coherent; the sequencing allows the listener space to breathe at the most opportune moments, and its leaps from ambience into adrenaline-soaked enthusiasm for hand-clap-happy high-jinx are worthy of celebration. The dip in and out sort of alternative music fan could call this a further leftfield take on the Funeral template – a little sadness, some glee, and everything wrapped up in a strikingly attractive package.
Those of a more discerning nature will need no obvious boxing of impossible-to-pigeonhole material, and will more than likely already have this on their To Buy list. Cryptograms is fantastically fun to dive into – really, don’t delay in doing so.
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this is the only record i've really taken to so far this year. it really is an album of two distict halves as well. they are not at drum's not dead level yet, but hopefully they'll get there.
spring hall convert is just bliss though.
good review
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The two distinct halves are mainly down
to something like a 6 month gap in recording, and they've clearly come back with a different approach.
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Good review
Have yet to find that album. No record shop in Paris get it apparently...
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this review
is spot on.
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2nd Favourite album
of the year so far. Half shoe-gaze, half psychadelic non-beat.
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Yeah, it's great
Cryptograms (even though I picked it up awhile ago) is a brilliant listen.
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i think this
is much much better than drums not dead. their best tracks are the ones that unfold, less concise.

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