Drowned in Sound

Search



65 days of elaine

no votes
?
by look_a_dawson
I honestly thought post rock was a dead genre but two bands I've seen recently have convinced me it's got a healthy future.

The first are 65daysofstatic, who are reinventing it with glitchy electronics. I've seen them live a couple of times and their album is incredible. It sounds like nothing else.

The other band is The Exploits of Elaine, who I saw at the marquee club the other night. They were punk as fuck; throwing themselves around everywhere. They were very very very loud as well. There was a raw power present that i've never felt from an instrumental band before- it was like what I imagine seeing my bloody valentine must have been like. It was really quite scary.

post rock lives!
look_a_dawson | 16 Mar '05, 11:20 | Send note | Report this | Reply

Re: 65 days of elaine

65 Days of static are indeed ace, they seem to be touring all the time as well so there's plenty of chances to see them.

Exploits of Elaine sound cool.
Have you checked out the Youthmovie Soundtrack Strategies? You might like them, very good post rock.

Re: 65 days of elaine

I agree wholeheartadly. Grails are also very good, you can find a review of Redlights on here somewhere.

Re: 65 days of elaine

I've been meaning to check out YSS for quite a while although I thought they were more art-metal than post rock. Although the album name is rather post-rock! Genres suck anyway, I don't know why I started all this.


Re: 65 days of elaine

Glad you enjoyed us (EoE), l_a_d, and your bigging up (!) is much appreciated. We really, really, really enjoyed ourselves on Monday night: it was one of the best crowds we've played to, one of the best gigs we've played and it was with some of the best bands we've played with.

I'd second those mentioning YMSS: they're fantastic. To try and impose a genre on them is a truly futile exercise, they really do defy anything approaching a convention. But there are definitely post-rock bits in there.

It's interesting that you should say that we're keeping post-rock alive. It's something I've been thinking about for quite a while now. Personally, I think the first three Godspeed releases are as good as any music can get. Post-rock will never again achieve those heights. So, in a way, it would make sense to abandon post-rock and move on: it can't develop any further.

But seeing as I think GYBE are about as good as ANY music can get (and I can't imagine ever liking anything quite as much as I like their first three releases), the logical extension of that argument is to say that ALL music is futile. And that's just crap.

So we fumble around, trying to make the best music we can. We don't limit ourselves to being post-rock and generally try and avoid using the term. Our influences include a lot of 'post-rock' bands, but we've got a track that sounds like Spacemen 3 gone metal (to these ears, anyway) and an awful lot of our influences (direct and indirect) are not post-rock.

I'm rather pleased you thought we were punky. Largely through accident rather than design, most of our stuff is pretty confrontational, and I reckon we're more immediate and abrasive than most 'post-rock' bands.

What did you think of the other bands, btw? Because I'd argue that both Akira and Twentysixfeet take post-rock influences and do something new and vital with them.

Akira sounded awesome. They've got a very definite sound, and yet they mix just about every alternative genre of the last ten years. They're like a giant mix of Fugazi, My Bloody Valentine, Six.By Seven, Sofa, Godspeed, Nirvana, Lift To Experience & Joy Division. They were mightily angry (their singers were incredible examples of how to convey anger through vocals) and some of the guitar/bass playing (tremelo picking on a bass!) was awe-inspiring.

Twentysixfeet really blew me away too. In fact, having seen them, I've come to the conclusion that Radiohead can fuck right off. I can't quite decide whether to describe 26 as "The Cure gone glitch" or "65daysofstatic with vocals", although neither of those does them justice. They mix Warp-y electronics, abrasive guitars and incredible melodies. They're probably the best currently unsigned band I've ever seen live.

Redjetson are another band who I'd argue take post-rock influences, fuse them with non-post-rock influences and make very very relevant and very very good music. They're playing the next Don't Piss On The Fish night.

In fact, fuck all this talk of post-rock being dead. The following bands are all active at the moment, post-rocky and very very good...

Red Sparrowes
Silver Mt.Zion
Explosions In The Sky
Fly Pan Am

and loads more.

Re: 65 days of elaine

Forgot to mention Sunnyvale Noise Sub-Element in that post. They also played on Monday, and although not all their ideas came off, they had some fantastic ideas. They did a similar sort of thing to 65days, only to krautrock rather than post-rock. Twas most intruiging.

Re: 65 days of elaine

i was there for that gig, they've improved a hellalot in the last few years - I like the kraut-killing joke-postrock type thing

YMSS are superb, the ed fitz were pretty good, and 65dos have been excellent the 3 times i've seen them so far, their energy and sound just fill the room

Re: 65 days of elaine

Shame the Ed Fitz have split up (or if they haven't yet, they will be shortly doing so). I've heard one track by them and it's phenomenal. They're one of those bands I always assumed I'd get to see at some point, and now I won't.

we're playing with two bands I'm looking forward to seeing soon: Wait For Coniston and Detwiije.

Detwiije don't do anything especially new (Godspeed/Dirty Three but heavier) but they're fucking good at what they do: there's an incredible track available to download from www.detwiije.com .

And I know nothing about WFC, other than one of them used to be Change at Lohne (and may still be), who I never heard but always wanted to. They've been compared to The Durutti Coumn, which cannae be a bad thing.

Anyway, that gig's this Friday at the Wheatsheaf in Oxford if anyone's interested!


Re: 65 days of elaine

am actually in oxford that night but unfortunately have other plans. i'll have to check you out sometime (I left after sunnyvale as only stopped in to say hello)

ed fitz are very proficient with their instruments

Re: 65 days of elaine

check out //brenda too.
you'll be told about five minutes of saucepan lid feedback. They really are extraordinary.

Re: 65 days of elaine

I agree with many of the posters on this thread. There are some really interesting bands about at the moment that don't fit easily into pre defined categories. 65 days, Youthmovie, Redjetson, The Ed. Fitz, Exploits of Elaine etc. have all been loosely labeled post rock at times.
Their music may have it's roots there, but they are all giving it a unique twist.
Akira, Twentysixfeet and Sunnyvale take it in a different direction again.
Then there are other great bands like Detwiije and mono, who sound more traditionally post rock.
I just feel so lucky to have been able to see all of these bands perform(some of them many times!) As they are making some very exciting music at the moment and touring with it.
Whenever any of them perform in London, I will most certainly be there!

Re: 65 days of elaine

Epic 45 are cool, although i'm not sure how closely fit the post-rock genre.

Don't try and order any CDs from there website though, i've been waiting since November for mine and they took the money out of my account ages ago!

http://www.epic45.com

Re: 65 days of elaine

All these newer post rock bands sound ace. But has everyone forgotten Mogwai? They are one of my all time favourite bands

Re: 65 days of elaine

I think it goes without saying that Mogwai are one of the pick of the bunch. I'll stick my head on the block and say that GYBE and Explosions in the Sky are better though.

NB- I'm getting the 65*daysofstatic album tomorrow so this may change.

Re: 65 days of elaine

Explosions are pretty imitative of Mogwai though, they're lovely but pretty formulaic, Maserati are a similar but, at least for me more interesting band in that vein, very similar sound but more complex structurally, less obvious "urgent but delicate buildup, loud triumphant noisey bit, quiet comedown section" in every song.

Re: 65 days of elaine

I for one have not forgotton Mogwai. But, I don't get the chance to see them at small venues like ICA, The Garage or ULU!
I was talking about bands on the tour circuit now, that are making exciting music and playing at accessable venues.

Re: 65 days of elaine

do any of you like Lift to Experience? Not strictly post-rock, but definitely some of that sound going on, I've been waiting for the follow up to texas jerusalem crossroads for a good 3 years now,

Re: 65 days of elaine

I have not heard any of Lift to Experience's music. I will check them out though if they have a similiar style to the other bands mentioned in this thread.

Re: 65 days of elaine

The Cathode Ray Syndrome - another good post-rock act.

MP3's at:

www.waragainstcliche.com

Re: 65 days of elaine

Lift to Experience are immense - buy The Texas-Jerusalem Crossroads - it is amazing.

They are awesome awesome live... but have been very very quiet for the last few years... perhaps they have split... shame.

Re: 65 days of elaine

The last I heard in relation to them was a Josh Pearson solo album scheduled for release on Bella Union, he played a gig in london (either in 02 or 03) to promote it's impending release. I've heard nothing since

Re: 65 days of elaine

Post-rock to me implies nothing more than a re-contextualisation of the RRROOOCCCKKKK genre to create something which no longer fits into that genre. A shift in perspective, if you will. For a lot of people it's come to mean something much more specific, i.e. a clearly-defined musical language or set of rules. I think it's important for musicians to consciously break away from this language or widen its vocabulary, because otherwise the whole thing is going to go down the pan pretty darn quickly. In theory, 'post-rock' can go on re-contextualising itself and perpetually renewing itself. In practice, I feel it's becoming more of a genre in the traditional sense, when it SHOULD be the ultimate anti-genre. I do enjoy the music of Explosions...., Mono, etc, but this sort of thing is starting to lose its shock/surprise value somewhat.