But after we've got a manager which I'm also looking into at the moment. I think we've got to the stage where I can't really do everything. And yeah securing good support slots and stuff out of london can be quite hard. We've been mega fortunate so far in that people have approached us (ie, casiotone support slot in Leeds) but I'm after a more high profile band support across the whole country.
you really don't need one, unless it happens organically, ie. you've got a following, can gig round the country, someone approaches you, you have serious management or you're signed or whatever.
Getting a booking agent won't suddenly lead to massive popularity. Also, in terms of good club nights - presume you're talking about White Heat or something like that? - then it won't guarantee you anything.
Blood Red Shoes didn't get a booking agent until they'd booked about 200+ of their own gigs and were a really buzzy / next-big-thing band.
At the moment it's less fun than it was 'cos my head's constantly distracted and aching due to having deal with a load of business shit I don't really like dealing with. I've tried the DIY route and taken the band as far as I can with no outside help bar our label.
If bands want to book their own gigs and find that fun that's entirely fine but if you don't I see no problem at all in letting other people take the weight off your shoulders.
I do agree with those who've said it's not something you should look into until the bands at the stage where it needs one but we've got various other things set up (record label, album etc.) and are really at the point where I think it's something we need.
Some bands get them earlier than others but certainly there's bands at an earlier stage of their development than Horsebox (Ehwhat's band) that have booking agents and see no logical reason why he shouldn't go for this too.
yeah, what he said, when they start approaching, then maybe
"I wouldn't do it. Small-time promoters hate dealinig with them!" - this
you'll miss out on some great gigs and opportunities cos they'll tell smaller/less cool venues/promoters £150 minimum or just ignore them completely. Unless you are at the point where you can demand a decent fee and are being asked to play loads of gigs I don't really see why you'd want to sign up to one,
If everyone loved his band, then maybe it's because they're good.
If noone is approaching you to be your manager/booking agent then maybe it should occur to you that you're neither big enough to warrant one, and/or maybe not even good enough?
For instance, I know Forward Russia were bigger than most of the bands in this thread before they stopped booking their own shows.
but also has inherent flaws as it fails to take into account that managers or booking agents may simply not have heard the band in question.
Certainly if you asked many managers they'd say they're happy to get invovled with bands at a very earlier stage and help them get "bigger" (rather than wait for them to become "bigger" on their own accord.)
There's absolutely no doubt there's a lot of bands that chase booking agents/record deals/management deals etc. very early and at a stage where they aren't ready for it and, most importantly, simply not yet showing their full potential.
Ultimately I agree it is unlikely a booking agent will take you on until you're big enough/good enough but I don't think that is reason to warrant a "don't try then" attitude.
Plus in Ehwhat's particular case his band have gigged national and internationally, supported well-known bands, had XFM play etc. so are probably at a point where they're ready for this kind of thing.
a booking agent will only be interested if you can pull a crowd and can genuinely command £100+ a gig - and have the potential to expand into a bigger act.
If you're not in that position and haven't been approached, then best to concentrate on building a following.
Took my old band 2 and a half years (and 4 big tours, and loads of press/radio) before an agent (Ed Stringfellow at the Agency) asked if we'd like him to represent us. Until that point, I'd been booking everything.
I'm reminded of this now that I've been trying to get an agent for my new band! Basically, the stock response is "we're not taking any new artists on at the moment" - for which read, "I've never heard of you. Piss off."
i know artists that have agents despite only being only able to pull in 50 people.
i know agents that are happy to work with small indie promoters and let their artists play for nothing if thats what they need to do. they'll also pull favours with bigger artists they represent to get decent support slots.
i also know bands that do perfectly well booking their own shows. It simply depends on the artist and their circumstances. Good agents are happy to help build artists as much as good managers are.
plus id add in my experience schmooozin and some rather lucky break (i.e. finding an agent who likes you as a band/your manager/the label/your music) means that he ll work hard and pull you favours
I think we've been trying recently.
As you can see I've played an active role in this.
Our drummer's contacted a couple of people to no avail so far...
Who are your band?
I wouldn't do it. Small-time promoters hate dealinig with them!
I'm Paul Potts
I'm not Paul Potts.
horsebox
www.myspace.com/horsebox
This is true. I hate dealing with them and usually avoid it.
But eventually you get to a point where you
a) want to take a step up and
b) secure good support slots/club nights/gigs out of London
and I get the feeling a booking agent is massively helpful in these kind of things.
and I can see your point
but I bet they couold get some wix malix gigs n' shit
They've been interested in bands I've been in before
No way would I do it. DIY til I die etc... If Ian Mackaye can still book his tours, why can't I? He was a nobody once, too.
I'm quite interested in getting one.
But after we've got a manager which I'm also looking into at the moment. I think we've got to the stage where I can't really do everything. And yeah securing good support slots and stuff out of london can be quite hard. We've been mega fortunate so far in that people have approached us (ie, casiotone support slot in Leeds) but I'm after a more high profile band support across the whole country.
Being in a band is hard.
True dat.
This week may well have been the most stressful of my life...
at least you haven't
committed yourself to promoting an album of songs about giant fucking isopods.
all you bands looking for management
can i have some myspace links please? but only if you're actually really ace.
hello.
www.myspace.com/gossameralbatross
have a lovely day.
We had...
....65days' booking agent ask nice questions.
If we split up tomorrow, that would be my highlight. Am I ill?
www.myspace.com/therecovery1
why the JAG not?
www.myspace.com/qwithoutu
Bullshit
You don't need one.
We have been offered supports with loads of BIG American/Canadian touring bands without a manager or a booking agent.
Booking stuff yourself might be more work, but it's more rewarding and someone else isn't taking a cut of any money you might make.
Being in a band is fun, and it should always stay that way.
I reckon
you really don't need one, unless it happens organically, ie. you've got a following, can gig round the country, someone approaches you, you have serious management or you're signed or whatever.
Getting a booking agent won't suddenly lead to massive popularity. Also, in terms of good club nights - presume you're talking about White Heat or something like that? - then it won't guarantee you anything.
Blood Red Shoes didn't get a booking agent until they'd booked about 200+ of their own gigs and were a really buzzy / next-big-thing band.
Of course it won't guarantee anything
but it's someone who's got time to ask...
"Being in a band is fun, and it shoudl always stay that way"
That's kind of the point so far as I'm concerned.
At the moment it's less fun than it was 'cos my head's constantly distracted and aching due to having deal with a load of business shit I don't really like dealing with. I've tried the DIY route and taken the band as far as I can with no outside help bar our label.
If bands want to book their own gigs and find that fun that's entirely fine but if you don't I see no problem at all in letting other people take the weight off your shoulders.
I do agree with those who've said it's not something you should look into until the bands at the stage where it needs one but we've got various other things set up (record label, album etc.) and are really at the point where I think it's something we need.
Some bands get them earlier than others but certainly there's bands at an earlier stage of their development than Horsebox (Ehwhat's band) that have booking agents and see no logical reason why he shouldn't go for this too.
mackaye
fugazi have/had an booking agent in europe. just fyi.
I don't think you need one
until they start approaching you.
that's probably a good yardstick.
NO
yeah, what he said, when they start approaching, then maybe
"I wouldn't do it. Small-time promoters hate dealinig with them!" - this
you'll miss out on some great gigs and opportunities cos they'll tell smaller/less cool venues/promoters £150 minimum or just ignore them completely. Unless you are at the point where you can demand a decent fee and are being asked to play loads of gigs I don't really see why you'd want to sign up to one,
I don't think we can use your band as a yardstick
because, well, everyone loved you guys :D
What band is Myfirstmine in?
I know he's in a band but have never known what it was...
paul hawkins and thee awkward silences
i think.
I find that entirely plausible.
I've completely lost track of our members...
I've completely lost track of my member
yer honour.
los campesinos!
ooh support slot please!
eh?
arf
*tries to find subtle way to convey he's not sure if this is joke answer or genuine*
fails epically.
troof innit
So I now realise from a later LC! thread.
Well, there you go. I never knew that...
I take that as the ultimate compliment
thank you
^actually probably true
Sunset Rubdown
That's silly
If everyone loved his band, then maybe it's because they're good.
If noone is approaching you to be your manager/booking agent then maybe it should occur to you that you're neither big enough to warrant one, and/or maybe not even good enough?
For instance, I know Forward Russia were bigger than most of the bands in this thread before they stopped booking their own shows.
This makes a lot of sense
but also has inherent flaws as it fails to take into account that managers or booking agents may simply not have heard the band in question.
Certainly if you asked many managers they'd say they're happy to get invovled with bands at a very earlier stage and help them get "bigger" (rather than wait for them to become "bigger" on their own accord.)
There's absolutely no doubt there's a lot of bands that chase booking agents/record deals/management deals etc. very early and at a stage where they aren't ready for it and, most importantly, simply not yet showing their full potential.
Ultimately I agree it is unlikely a booking agent will take you on until you're big enough/good enough but I don't think that is reason to warrant a "don't try then" attitude.
Plus in Ehwhat's particular case his band have gigged national and internationally, supported well-known bands, had XFM play etc. so are probably at a point where they're ready for this kind of thing.
No but if you get one
ask them if they'd like a shouty, mclusky-esque band on their rota too.
what mattj said really
a booking agent will only be interested if you can pull a crowd and can genuinely command £100+ a gig - and have the potential to expand into a bigger act.
If you're not in that position and haven't been approached, then best to concentrate on building a following.
It's really hard!
You don't approach them, basically.
Took my old band 2 and a half years (and 4 big tours, and loads of press/radio) before an agent (Ed Stringfellow at the Agency) asked if we'd like him to represent us. Until that point, I'd been booking everything.
I'm reminded of this now that I've been trying to get an agent for my new band! Basically, the stock response is "we're not taking any new artists on at the moment" - for which read, "I've never heard of you. Piss off."
sooo much misinformation in this thread!
i know artists that have agents despite only being only able to pull in 50 people.
i know agents that are happy to work with small indie promoters and let their artists play for nothing if thats what they need to do. they'll also pull favours with bigger artists they represent to get decent support slots.
i also know bands that do perfectly well booking their own shows. It simply depends on the artist and their circumstances. Good agents are happy to help build artists as much as good managers are.
Ah, but
you're probably not enormously rubbish at talking to people like I am.
fierce kitten has got it pretty spot on!
plus id add in my experience schmooozin and some rather lucky break (i.e. finding an agent who likes you as a band/your manager/the label/your music) means that he ll work hard and pull you favours