but it's actually 'What's Going On' minus the question mark, i.e. with a descriptive rather than a questioning tone. I'd say this is quite an important distinction to make, although in the chorus of the title track his intonation does seem to be inquisitive in nature
Anyway, it is a superb album. His voice is just incredible, technically beautiful but imbued with so much emotion. And the way it works around the stunning orchestration is perfect. I really love how incredibly well each track runs into the next (apart from the slightly jarring intro to Mercy Mercy Me, but i suppose that's because it was taken out as a single), and i particularly like the way it ends with the "mother, mother" section, effectively ending it as it began and further imposing that thread of continuity which runs throughout it.
I love What's Going On. It's an unbelievable album. It's possibly the finest ever 'album album' I've ever heard, if that makes sense. Every single track is vital, and it all bleeds together so perfectly
If I could only take one artist on to a desert island with me, it'd be really, really difficult to not choose Marvin Gaye. The man was a genius
he was quite unique.
I'd say check out Curtis Mayfield, politicised and very soulful. Also the early seventies Stevie Wonder has some great stuff, before he went too far down the synth road!
Can we all just stop for a moment and take in the majesty of the greatest bass work on an album as a whole. The man was a legend, the bass is almost as important to the album as Gayes voice. The swing, the soul the heart of the album all came from James Jamersons Bass finger (that's right he used 1 finger to pick all those notes - the finger they called 'the hook'!) and if that isn't enough, legend has it he played the whole thing in one take fucked out of his head lying on his back!!!!! A true musical legend!
indeed
a very good 'walking around in a big city' headphones record. i adore it.
"Hey...Hey...What's happening?"
His voice on that album is sublime, especially the backing vocals. I particularly dig the use of Glockenspiels that high in the mix.
allow me to be a pedant
but it's actually 'What's Going On' minus the question mark, i.e. with a descriptive rather than a questioning tone. I'd say this is quite an important distinction to make, although in the chorus of the title track his intonation does seem to be inquisitive in nature
Anyway, it is a superb album. His voice is just incredible, technically beautiful but imbued with so much emotion. And the way it works around the stunning orchestration is perfect. I really love how incredibly well each track runs into the next (apart from the slightly jarring intro to Mercy Mercy Me, but i suppose that's because it was taken out as a single), and i particularly like the way it ends with the "mother, mother" section, effectively ending it as it began and further imposing that thread of continuity which runs throughout it.
Gaaaah.. it's just fucking awesome, innit
Indeed
I love it. It's the only album I have really of that style of music, anyone have any recommendations of similar stuff?
i like it
but i find it a bit samey...
You might like Al Green
If you don't already, that is
I love What's Going On. It's an unbelievable album. It's possibly the finest ever 'album album' I've ever heard, if that makes sense. Every single track is vital, and it all bleeds together so perfectly
If I could only take one artist on to a desert island with me, it'd be really, really difficult to not choose Marvin Gaye. The man was a genius
yeh, every single second
is essential to the whole.
mmmmm
he was quite unique.
I'd say check out Curtis Mayfield, politicised and very soulful. Also the early seventies Stevie Wonder has some great stuff, before he went too far down the synth road!
love it to bits
I bought it around the time it cane out (1971/72) and listened to nothing else on my gramaphone player for weeks and weeks
Whenever I listen to this I feel a genuine love for mankind. Even people who read The Daily Mail.
My cd has two bonus tracks, B-Sides. I find the bonus version of God is Love even better than the album version.
James Jamerson
Can we all just stop for a moment and take in the majesty of the greatest bass work on an album as a whole. The man was a legend, the bass is almost as important to the album as Gayes voice. The swing, the soul the heart of the album all came from James Jamersons Bass finger (that's right he used 1 finger to pick all those notes - the finger they called 'the hook'!) and if that isn't enough, legend has it he played the whole thing in one take fucked out of his head lying on his back!!!!! A true musical legend!