has "i have no strings" from pinnochio.

this is clever

You know me I'm acting...dum-dum
You know the scene, it's very...humdrum
And my favourite song's entitled...Booooredom.
[one note guitar solo]

Genius.

'Knowing how the world works' ("Papa don't preach")

'One Way Widow' ("You're so vain, you probably don't think this song is about you")

Blink 182 also quote Nirvana in Adam's Song (take the time, hurry up)

using Talking Heads' 'Once In A Lieftime' or Ride - 'Seagull' using the bassline from 'Taxman'

The Cure's '1015 on a saturday night' at the end of Mezzanine.

'Little Round Mirrors', he sings the chorus to 'Paradise City' for a few bars...

using pixies lyrics in $20 i reckon is quite a good use.

by Okkervil River morphs into Sloop John B about halfway through. It's good.

brand new - seventy times seven // Taking back sunday - there's no 'I' in team.

but Reuben:

"all this 80s indie sounds like shit to me, 'cause i don't like Joy Division, i don't like Morrissey"

starts with a bit of noise, builds , stops and fades then a radio tunes in good vibrations and phil sings the 'close my eyes shes somehow closer now' bit then then it tunes out and the proper song resumes

plays 'The Opposite of Hallelujah' live and bursts into 'Give Me Just a Little More Time' by The Chairmen of the Board'.

Also Puff by The Red Krayola. It's a kind of sequel to Puff the Magic Dragon. It's about how Puff's life was changed by the original song, and he couldn't stand the pressures of fame.

is Natasha Bedingfield using the chorus of Jeff Buckley's 'So Real' as the bridge of one of her songs.

I like Faith No More's live version of We Care A Lot where Patton turns the "Uh-uh-oh" bit into The Right Stuff.

Come On! Feel The Illinoise! - the ending part that carries the melody from the Cure 'Close to Me'

roaming the foam, by lifter puller. steals bits of welcome to the jungle and push it by saltnpepa. and is great.

where he includes some of "I Know It's Over" by the Smiths in the middle. Or Hendrix doing "Wild Thing" live at Monterey, where his guitar solo is the vocal line from "Strangers In The Night".

I was listening to It Takes A Nation Of Millions To Hold Us Back at the weekend, and right after that I put on Hot Buttered Soul by Isaac Hayes, which I've just got. Halfway through the ridiculously-titled "Hyperbolicsyllabicsesquidalymistic" there's a piano improvisation which turns into the riff that PE sampled for "Black Steel In The Hour Of Chaos". Amazing coincidence, eh.

spiritualized acoustic mainline version of ladies and gentlemen we are floating in space, when the gospel singers sing cant help falling in love with you at the end and everyone present cries their eyes out.

thats a joke link right? theres no way that was actually ever released?
That frighteed my cat is was that bad

In 'Young Americans' by David Bowie

but that 80s matchbox one with the little refrain from the funeral march always tickled me

Cleopatra's Cat by Spin Doctors uses that Egyptian na-na-nah-nah-nah-nana-nana-nana-nah thing. It's amazing.

Though I probably haven't explained that very well at all.

the sample of 'Super Freak' in 'Can't Touch This'.

and no one mentioned this before me. you all suck, nerds.

They did a "Dear Prudence" coda at the end of "World Coming Down" that was quite goosebump inducing.

The Mourners Of St Paul's uses What A Wonderful World

they start the song by chanting "B.I.N.G.O. MURDER HAS A NAME-O!" which I always found quite amusing.

Also, nearly everything by MC Lars has bits/lines nicked from other songs - He uses the bass line from a Brand New song on 'Mr Raven' and Piebald's "Hey! Your part of it!" from 'American Hearts.'

in Shakermaker