The Von Bondies, The Vines, The Yeah Yeah Yeahs do i have to go on? These are just some of the bands coming through and changing the face of alternative music. If you look at some of the new bands around i think you can say we've never been so privilaged.
It's just a shame that there are still bands like Good Charlotte and Blink ruining it by releasing crap songs with lyrics a small child could have come up with. We don't want songs about skating and getting dumped we want more from bands like the Strokes who know how to make good music.

Re: The New Rock Revolution
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As David Brent might say, "A good band is a good band forever"... anyway, I thought that NME was disowning the term "new Rock Revolution", not that it matters... No-one reads that paper anymore, do they?
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Dis is not ALL ABOUT fucken Kinesis, Miss Black America, etc. Yes those bands have featured on the site but about 0.0006% of the content is about them.
Our top albums of last year included some of the most amazing records released of all time, things like Bright Eyes, Sigur Ros, The Reindeer Section, Boards of Canada, etc, etc..
Just because the bands people - somewhat unfairly - see as our "pet bands" offered to help us promote our site in response to our support, by putting our name to their tours, doesn't mean we're exactly dedicating the site to them. Yes they may have a couple more reviews and news stories than other bands, but there are a good few thousand articles to tip the balance against them.
As for being against bands in leather, i've already said that's a stoopid comment, the coopers are one of my favourite bands and they wear leather.
this site isn't about me dictating an opinion, it's about a lot of different people who love a whole range of music and if you lot (one person, posting under different names) would step back a bit and stop focussing on a few bands who've had fuckall coverage to be fair, then you'd see things a touch clearer.
And if i dont read the nme how the fuck do i know what they're hyping? that's like hating aliens having never met any. If I wanted a history lesson I'd go back to school - let's push things forward and all that.
sean
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My narrow-minded views are just that MY VIEWS! Not everyone here on the site is forced to think and react the way I do. Infact, James Jam who writes for us, is one of the main NME contributors. And I've met many a person at the NME who hates garage rehashed watered down mushroom soup.
I dunno how you judge "hype" and I've probably only written 4 negative reviews out of all the things I've done.
And so what if we're bitter towards bands who're getting far too much media coverage anyway?
Sean
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How can you say that these are bands who're getting far too much media coverage?
They get this coverage because they deserve it, because they have worked hard for it and because they are excited about pleasing fans and not just about a pay cheque.
Would you really want bands with no talent in the press? The bands who don't put themselves out for the fans?
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My main problem with it tho, is its complete degeneration in to tabloid rubbish. NME is now just a series of rubbish celebrity focused articles, in some way relating to music. Its now at the point when they can't just review something, they have to also say which celebrities like it. They've run out of content almost, and instead of reviewing more and avoiding the bullshit. Its just sunk into total triviaility.
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Likewise, plenty of news stories about the Von Bondies and a good review of one of their singles.
And The Vines have had lots of coverage....
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The Garage Rock band wagon rolls into town and we're supposed to believe everyone on it has been there all along! How naive! Do you really believe that all these chancers will still be at it in 6 months time, or will they not be trying their hardest to distance themselves from it?
If you turn up after the bandwagon hit town, you're fucked from the start.
What bands don't put themselves out for their fans? I don't really think that's grounds for press coverage? People in bands are like people in all walks of life, some are really nice and some are just arseholes, it doesn't matter what *type* of band they are.
The press in general doesn't always cover bands because they're talented, infact the NME seems to base coverage more on what you wear than what you sound like now!
And as a final point, the Garage Rock thing is paying off quite handsomely for some of these bands, the advances they are getting (yes, i do understand how an advance works btw).
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The Vines: lame but at least catchy nirvana/beatles wannabe. itd be ok if they combined the influence, but its really "right, here comes an in utero rip off, and heres a revolver clone"
The Yeah Yeah Yeahs: make good music, but shes a stupid fascist bitch, and the current single has a completely shit melody
Good Charlotte: are funny cos theyre twins, and one's skinny and one's fat Ha! how i chuckle. disgusting, degrading music tho
Blink: catchy, sometimes good songs ruined by peurile humour. great drummer
Strokes: were kind of cool fun at the time, but now just come off as a bunch of fashion whores. with songs not a mile from being about skating and getting dumped. not that theres anything wrong with that.
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oh yeah, and why is Karen O a 'stupid fascist bitch'? Have I missed summat?
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and the strokes' music sounded lovely and sunny in 2001, but the sheen's just worn off, with the boredom and formulaism.
and id dispute for the rest of my life that its just music that matters about a band. if i think theyre ass holes, in tempers my enjoyment somewhat. not that i think the strokes are arseholes, but there is something dishonest about what they do
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im still curious about how good the next album is going to be. from the newer stuff it may not be so biodegradably retro
and i fucked up that karen o thing. it wasn't "annoying" but "nerdy" (mental connection between "rilly" and "annoying")
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As for their live shows, I've seen em 5 times now, and every time I've had a fuckin great time, and they've been blooming electric, man.
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They've just been made cool and people who want to be cool defend them.
They're just a covers band, who've learnt how to shift a structure, change a lyric here and there. Expensive haircuts and authentic replica clothes doth not a great band make.
I thought this when i saw 'em on the ..Trail o'Dead tour many moons ago and I still think it. They're bad for music because people will day learn everything they love has been done better by The Originals and it comes to a point when people realise they've missed the real party that was going on, the music that speaks to and for our generation. The genius' who're pushing things forward. The icons who have fresh ideas and PERSONALITIES not just TIES. SHOCKER!
I'm sick of wasting my time spouting this rubbish. I've not even done it very eloquently.
Sean
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At least you seem to admit that The Strokes have been MADE cool by the music press, rather than setting out to place their clothes above their music.
So I want to be cool, eh? For defending a band who happen to mean summat to me, whose music I enjoy listening to, whose haircuts and vintage clothes I couldn't really give a fuck about? A band that I instantly took to after hearing 'The Modern Age' on the radio, and had never heard of, nor seen their 'cool' clothes and 'cool' hair before the guitar, bass and drums kicked in and made me wanna dance, have a fuckin great weekend, narrowly avoid driving into a tree and tell my girlfriend I loved her? You're the one who's desperately trying to be cool, my friend, ironically by launching an attack on anything that's deemed to be cool. In being 'anti-cool' and 'anti-fashion', you're merely trying to position yerself on a higher, undiscovered plain of 'coolness'. It's obvious that you're obsessed with da 'cool'; you just wanna be cooler than the 'cool' kids who dig the Strokes or any other 'in', 'hip' sound, daddio. It's not the majority of Strokes fans who fail to see beyond the 'cool' label applied to their music by over-zealous journalists, it's YOU. You can't begin to listen to music with an open mind if you've got such fundamental preconceptions. 'tis your good self who expresses the abhorrent 'indier-than-thou' mentality when dealing with people who *chuckle!* haven't even heard of The Koreans!
A 'covers band'? That's just juvenile. So you think they're a copycat Television? Blondie? Please explain if this is the case...
And I'd love to know who these 'geniuses' are, 'pushing things forward'. Kinesis, MBA, A, Feeder? Or maybe The Manics are gonna make a secretive comeback? I wait with baited breath....
We could go on and on and on and on with this debate, but the fact is, it's never gonna make any difference whatsoever to what either of us feel regarding music. And that's the beauty of the beast. It's clear that you don't like (most of) the music that I like, and vice-versa. It's a circular argument that nobody can win. But it's actually quite enjoyable, y'know?
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ok i have to go get a cuppa t now, and i'll have forgotten the point i was trying to make by the time i get back up, so i'll just post this now.
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and it cost £1.60... i was actually looking to grab a copy of Kerrang! but they'd sold out by friday... piles of NMEs left tho
most of the NME seemed to be full of ads as well, i don't expect that for that much money, yes, i'm old enough to remember it when it was under £1, you'd be hard pressed to find someone here who actually hates 1005 of th writers and articles in the NME, it's easy to find peopel who hate the mag itself
but hey, i've got a "i'm a hero of the new rock revolution" badge that i found, sometimes i wear it next to my DiS badge
ollie.
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The same with the YYY's. The ep kept catching my eye and I read various comments about it, all good. I bought it and I've just got the album. The only thing bad about it is the sticker on the front with the usual tawdry comments about it being "the best debut since -you guessed it!- the Vines, Strokes" etc, etc.
please be quiet. Things like that remind me of abother episode of Later... when there were a bunch of style wankers dancing around to the Libertines (or whoeeverthehell)
"It's just so post 9/11, darling" Or something. Goddamit! There are some bands of this "genre" that I like, most that I don't, regardless of what the press and the in-crowd say.
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I don't mind the YYYs, just object to the hype, particularly claiming Karen O is anything more than an average-looking girl with a great voice.
Read 'Please Kill Me: An Oral History Of Punk Rock' and you'll soon feel slightly cheated by this "New Rock Revolution" which is little more than a bunch of bands being lumped together because they look and sound like big bands from late 70s New York. Some good, some awesome, some shite.
Oh, and I'm not sure that your Good Charlotte / Blink vs The Strokes lyric argument works. On paper, neither band's lyrics are that great. As much as I hate Good Charlotte.
"Ya see, people they don't understand
No, girlfriends, they can't understand
Your grandsons, they won't understand
On top of this, I ain't ever gonna understand..."
vs
"Lifestyles of the rich and the famous
they're always complainin'
always complainin'
if money is such a problem
well they got mansions
think we should rob them"
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in feb 2001 i'm watching mtv2 and the strokes come on, playing live. i've sat through countless hours of punk/metal and a band come on looking so different, playing outrageous pop music. the chords, the melodies, oh man. I was jumping round my front room. It's amazing. the hype can never kill that moment. I don't read nme anymore (though I did then).
i applaud dis for writing about WHATEVER THE FUCK IT LIKES, and it still surprises me quite often. New Rock revolution? pish, but the strokes were/are fantastic.
but if you don't like them, fine. who cares? they're massive anyway, now.
yeah yeah yeah's: had the ep, played it a few times, moved on.
libertines: can't get over the goddawful reading "performance"
the darkness: oh dear
the vines: brilliant, the soundtrack to my first term at uni
white stripes: good, but overrated.
oh, and by the way - for comparison
ramones: catchy but forgettable, mean nothing to someone who wasn't there and isn't anywhere like it
sex pistols: grates
velvet underground: good, but not my favourites really
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Avril? Maybe...
Harry? Possible..
Milla Jovovich? Of Course..
Winona Ryder? For sure..
Sorry, did u say get spunk in their face? Think I mighta read that wrong. My delete button dont work, better send this to u.
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the only group changing and improving?!?!? mistake me not, i quite like silverchair..but..er..that's bollocks. the one thing silverchair are not very good at is diversity and progression. they're not exactly radiohead... besides, there are hundreds of rock bands out there doing good stuff, and a handful of those are doing potentially great stuff. just needs a nudge and a wink and some support.
x
gen
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BEARSUIT.
Yep.
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'Now the atlas boy is King, lalala'
love matt xx
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it's harmless but a little irritating
i do like the whipe stripes tho
my vote for the most orignal act about today goes to
the jimmy cake!!
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And it's produced a load of shit copycat acts.
"We hate the fucking NME" - Thee Headcoats
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There's room for all genres, whether it be Velvet Underground wannabies like the strokes, or Operation Ivy/Sublime derivatives like Blink and Good Charlotte.
There's even room for wannabe Pixies.
Let's not mix Revolution with Evolution.