As Cable recorded their second (and last) full length LP, Sub-Lingual, they were also being sued by their own manager. About a year and a half earlier, in 1997, the band's song Freeze the Atlantic (from their first album, When Animals Attack) was used as the soundtrack to a Sprite advert. They went unpaid, as the exposure was intended to ensure the band's success. When it didn't, they were allegedly sued for breach of contract. They fought for a year, and lost. Unable to afford to stay together, Cable split unwillingly in May 1999, two days after Sub-Lingual's release.
The record they left as their epitaph offered a fitfully brilliant hailstorm of electricity and colour. Opening with 36 seconds of the purest electrically generated noise, an almost painful statement of intent, before crashing into the pulsating howl of the Fugazi recalling Song 1, the angular and ungainly beauty of the record is formidable. The droning, hot-wired guitars swirl around deftly simple, often repetitive lyrics, but as the pointed drums attempt to puncture your soul, somehow the music lodges itself inside your heart. The moments of outright gracefulness are even less frequent than on an early Sonic Youth record, but the same hints of the truest pop sensibilities are still there. Even if the journey isn't all that comfortable, Cable know exactly how long to make you wait before they get to the chorus.
Matt Bagguley vocals flit throughout from languid murmurings to tremendous screams. And when they do start to soar, it's because he's fighting back, even though he knows that he's already lost. 'I'll be first in your way' he declares on Widower, and for a moment hopefulness, in spite of everything, wells within you. And as Comprendez? draws the album to a close Cable go out in the only way they ever could. 'You don't know what I need, but neither do I', we're told. But even alone Cable keep battling. The album perhaps saves its sharpest blows for it's climax, but as the final pounding drumbeat is cut short, the inevitable seems to have happened.
And maybe Cable would only ever be defeated. But if the band don't exist any more, their records still do. And, even now, the fight that was within them remains. Matt Bagguley has recently signed to Graham Coxon's Transcopic label. Quite what his fight might now be is unsure, but it's certain he's not given up yet.

Cable - Sub-Lingual
Cable - Sub-Lingual
Cable - Sub-Lingual
Re: Cable - Sub-Lingual
Cable - Sub-Lingual
Re: Cable - Sub-Lingual
Re: Cable - Sub-Lingual
'Arthur Walker' is the shit.
Re: Cable - Sub-Lingual
Re: Cable - Sub-Lingual
It's nice to see they haven't been totally forgotten.
I was right at the front and the stage was just at knee height it was the worst bruising my knees have ever seen. My mum had a fit a couple of days later when we went on holiday and she saw my legs...hehe. I wish stuff like that still happened now. I feel old at 21
Re: Cable - Sub-Lingual
ah, fuck, if only they'd play one more gig. one of the first bands i ever saw without previously hearing on record that made me puke with excitment.
Re: Cable - Sub-Lingual
Re: Cable - Sub-Lingual
Re: Cable - Sub-Lingual
Although I'm sure they'd have stuck around.
Re: Cable - Sub-Lingual
Re: Cable - Sub-Lingual
Oh God, this is opening up old wounds, I loved Cable. Personally, I thought Downlift The Uptrodden was their best release - every track on it rules.
I met the band after a gig in The Dutchess of York in Leeds once (they were supporting Feeder, but we went to watch Cable). They were really nice guys and signed my Whisper Firing Line poster with obscene insults! Ah the memories - REFORM DAMN IT!!
Cable Site
Check my new Cable site, the most detailed Cable resource on the web at – www.SubLingual.co.uk