‘The Dance’ always possesses a seismic intensity: the rhythms intertwined with the whiplash guitar loops and frontman Robert Harvey’s witch-like vocals.

This is the main event. This is the only live action rave at Homelands. ‘Take The Long Road and Walk It’ sounds more magnificent than ever. It looks ritualistic. The Music are mere silhouettes pounding in front of the lasers. For once ‘Getaway’ isn’t the best song.

With the belly of a thousand fires and the blissful mind of a million pill-heads, ‘Welcome To The North’ is the best thing we’ve ever heard. It sounds exactly like a The Music song while pissing all over everything in their set.

This is mercurial. The magnetism and dynamic energy is pure festival magic. This is The Music’s finest hour.

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