It’s the age old tactic of re-releasing an album in brand new packaging except in this case they’ve re-recorded some of it as well with a producer associated with Guns ‘N’ Roses, Korn and Metallica. It’s a disappointment. My Vitriol’s ‘Always: Your Way’ is now in it’s fourth incarnation having become more and more drawn out and the vocals more sinuous, but less frenetic. Does it really sound that different to what was released in April of last year? No.
The band decided to re-record parts of the album for American release. Is the sound for Britain not saleable in the US? Was a new producer required to make it sound heavier? That’s called selling out in some people’s books. Maybe it is the case that the album wasn’t as perfect as was intended, but that’s why bands make a second album - to improve on their previous effort. Questions will, of course, be asked as to their record label’s involvement in this decision, but to what extent has the band been held to ransom?
A dividend, perhaps, is the second disc included. It includes all the b-sides of their Infectious single releases saving the non-completists the bother of having to purchase every last single but maybe forcing the most dedicated fans to make this purchase. This collection of b-sides showcases beautifully the quality of their “other songs” with ‘Deadlines’ and their acoustic efforts highlighting their excellence. These could be more than just album tracks. Their skill at “Vitriolising” other people’s songs is demonstrated superbly during the majestically abrasive cover of Madonna’s once gracious, ‘Oh Father’ while the previously serrated ‘Static’ by Jawbox inherits the ethereal splendour that has trademarked My Vitriol.
If this release was purely a label decision then one might ponder the consequences of a budget wasted upon re-recording a perfectly good album. Maybe if more time and money was invested in developing new songs then the complaints at the same live sets as two years ago would not be so rife. It doesn’t matter if you make the cover a different colour and change the name slightly - it’s the same record you released 16 months ago.
bothers me
Re: bothers me
considering how much the MV album [and things related to it] cost their label in total, though, i'm not too surprised theyre still trying to eek out all the cash they can from the kids ;)
money grabbing it is..
Re: bothers me
Re: bothers me
Why?
Because their fanbase isn't large enough? Nope.
Because they're in the worst form of their life? Nope.
Because they've played the same songs for over 2 years? Yes.
Because nobody likes a sellout band? Yes.
*round of appluse*
Re: *round of appluse*
Re: *round of appluse*
Time for some new tricks etc etc
KPxx
My Vitriol - Finelines/Between The Lines
My Vitriol - Finelines / Between The Lines
Being beaten by Claire Sweeney is *not* someting to be proud of
Re: My Vitriol - Finelines / Between The Lines
The band sent me an email saying not to buy it. So I didn't, and most people didn't.
Seeing as you care about the charts, Mr, they went in A LOT higher than our lovely crippley post-grunge Kerrang cover-stars Silverchair's new CRITICALLY ACCLAIMED piece of crap 'Diorama'.
Re: My Vitriol - Finelines / Between The Lines