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Duke Spirit Cuts Across album

The Duke Spirit: Cuts Across The Land

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by Mike Diver
Too much hyperbole, not enough product? Perhaps. Certainly The Duke Spirit have suffered at the hands of some substantial stick these last few weeks, something that these eyes have noticed as close to home as this site’s very own boards. It’s not entirely unjustified – for all the band’s excellent live showings, mostly playing second fiddle to some here today, gone tomorrow superstars with misguided stadium aspirations (hello, Kasabian), they’ve never entirely captured the hearts of a public that doesn’t belong to them. It’s a common complaint uttered by bands on the up but forever missing out on top billing – you’re never wholly playing to your own crowd, so twisting unmoved heads from inviting bars and is more a chore than a welcome challenge. This is their chance to strike out alone. This will be their calling card until the sometimes troublesome second album comes a-calling. Shame, then, that its most noticeable feature is its lack of a fully developed identity.

Highlights are abundant but inconsistent – rollicking garage-rock monsters smash and slash into one’s ears only for a handful of sexy and soulful numbers to soothe the substantial burn. Sounds great on paper, but Cuts Across The Land has no feeling of cohesion – there seems to have been little thought put into the sequencing of a record that, with a little more attention to not-so minor details, could have been a wholeheartedly recommended release, if not indeed one of this year’s finest from a British act. It may still prove to be so, but in May I’m not prepared to make any such calls.

Basically, the sublime ‘Bottom Of The Sea’ (the presence of ex-Cocteau Twin Simon Raymonde is never more apparent) would have served a better purpose as an end-of-album comedown rather than a mid-piece diversion, stalling the record for four minutes until those savage guitars come roaring back into action. Likewise, new single ‘Love Is An Unfamiliar Name’, all brass balls and catcalls, would have served as a perfect rope-a-dope second song following the thoroughly decent title track. Tacking it on as the penultimate offering before a fairly lacklustre ‘Red Weather’ just highlights this record’s flawed sense of individuality. This is a record perhaps born of too many influential personalities and not enough stand-fast stability. Whatever the gestation arrangements, it ultimately fails to fully showcase the band in the manner they deserve.

At times sensational, but so often so-near-so-far, Cuts Across The Land is a debut to build upon – the band should work it for a year, at most, and then move on. There are massive chunks of potential here – the steadily pulsating ‘You Were Born Inside My Heart’, with Leila Moss’ rasping tongue let loose to spit fiery venom at all comers, is a standout strong on musical subtlety – but they’re saturated by the presence of material probably best suited to b-side usage.

Let’s hope that this album comprises the awkward first stages of what could be a beautiful relationship, as The Duke Spirit are clearly capable of reciprocating the love of thousands when they feel up to the task. What if it should spell doom for our blossoming affair, the love crushed under the insufferable weight of expectation? Well, at least we’ll have a handful of golden memories to offset the immediately forgettable.

  • The Duke Spirit 7 / 10

The Duke Spirit - Cuts Across The Land

"the steadily pulsating ‘You Were Born Inside My Heart’, with Leila Moss’ rasping tongue let loose to spit fiery venom at all comers, is a standout strong on musical subtlety – but they’re saturated by the presence of material probably best suited to b-side usage."

Interesting comment considering 'You were born...' was a b-side to their 'dark is light enough single' last year!
Have to admit that I agree with the review - haven't bought it yet but i've heard the previews and looked at the tracklisting and am a little underwhelmed from a band I consider to have great potential. I think the main problem is the fact that six of the songs have been available elsewhere (the four previous singles, 'you were born inside my heart' and 'red weather') and so it seems a like an old album already. The Bloc Party album had the same problem (too many old songs/singles)...Its the type of situation that makes it seem they aren't respecting their fans, after all I went out and bought all of their previous releases (all admitedly excellent) and it just seems that if I hadn't of bothered buying the singles then I would enjoy the album more...............
Then again I am judging it pretty harshly for an album I havent even bought yet, so guess I should wait until i criticise......

Re: The Duke Spirit - Cuts Across The Land

Yeah I know it was a b-side; thought the contradiction was worth keeping to see if anyone would notice.

Bravo! Have a sweetie.

The Duke Spirit - Cuts Across The Land

hmm... perhaps you're looking for the wrong kind of thing in The Duke Spirit because I personally would rate it as one of the highlights of the year so far. You describe Red Weather as "fairly lacklustre" but I think it makes a fantastic album closer, it's also a much better version than the cut that appeared on 'Roll, Spirit, Roll'.

The Duke Spirit - Cuts Across The Land

It's far better as an album as it was for the singles.
Not as good as the mini-album but still very good.
And it has already a bonus disk, so you don't have the 'surprise' to see it re-released in 6 months with new materials !

The Duke Spirit - Cuts Across The Land

For someone whos never been interested in them as a band, untill last week, i think its a great album. Prob not pop enough for folks, and theres not too much in terms of 'chart singles' but as a whole i find it really well written and performed. Plus theres a nice bonus disc with demos on as well, which is worth looking at...

I like!

The Duke Spirit - Cuts Across The Land

I only heard the album at work yesterday and bought it at the end of the day, and i'm quite impressed. I admit I was taken it by the female vocals and bluesy riffs (i'm a bit of a sucker for Harvey) but i'm genuinely liking it. A lot of my colleagues dismissed it as 'another bland record from another bland band' but I disagree - i'm hyper critical of 'new' bands at the moment (sick of Maximo Park, The Futureheads et al anyone?) that are kicking out the 80s image and angular guitars - this band at least have a bit of raw excitement. Ok ok, i'm biased as a female, liking female fronted bands/solo singers (it DOES help to stand them out from the crowd though) but this band seem to be the best of the bunch of the 'new guitar generation' (even though as i'm typing, Lion Rip seems a little underwhelming even for an upbeat number boring) not that I want to generalise and lumber them in with The Bravery and all that wank - but it's SO easy to do these days. Too much image, not enough substance - it's all going to backfire soon thanks to those buff Strokes boys.

Cut across the land

I just love this album! Almost a year from its release and I still listen to it quite often.