A little production magic goes a long way; at least, that appears to be the case here. For their follow up to the inconsistently great Dear Catastrophe Waitress, the perma-charming Belle And Sebastian have roped in Air and Beck producer Tony Hoffer; what’s more, they recorded The Life Pursuit under the Californian sun in Los Angeles. The results are as blindingly bright as the environment they were created in.
Take song two of thirteen here, ‘Another Sunny Day’: a jauntily twanging guitar line or isn’t so unexpected, but the mood of mischievous joviality is absolutely infectious. If ‘Legal Man’ was this band’s last perfect fusion of their much-mentioned tweeness and swinging retro-pop melodies, then The Life Pursuit is a whole new pinnacle. It’s Sixties girl groups meeting bedroom indie miserablists in perfect harmony, glam-rock stompers updated via an episode of The Mighty Boosh (‘White Collar Boy’), funk-soul brothers holed up in a Glasgow bedsit with car boot sale sythesizers and tin-can drum machines, with a copy of The Beta Band’s Three EPs spinning on the turntable (‘Song For Sunshine’). Get the picture I’m trying so terribly protractedly to paint? Nice.
The album’s highlight, though, is one of few songs that doesn’t sound like the direct product of time spent browning under foreign skies – ‘Sukie In The Graveyard’ is a Hammond-driven romp of utmost enjoyment, telling the story of an odd-one-out girl flicking Vs at smug art school attendees and mucking about in, yes, graveyards. Her adventures up attics and undoing her outer garments are brilliantly told by a bubbling Stuart Murdoch: “She’s got an A1 body,” he says, as she happily poses for the same students, or “arseholes” as the singer puts it, she earlier wiped the floor with. The following ‘We Are The Sleepyheads’ couldn’t have a more misleading title if it tried, sounding every bit like a mislaid gem from Beck’s Midnight Vultures, albeit with a slight Scottish burr intact.
Sounding somehow perfectly modern yet refreshingly and celebratory retro, The Life Pursuit is Belle And Sebastian at their freest, delightfully spilling over with great ideas and perfect pop know-how. Hardcore fans may find its disposition a little too sparkly, but any newcomers looking to listen to an album that doesn’t take itself seriously in the slightest yet is as wonderfully nourishing as the most carefully composed classical piece should pursue and purchase this immediately. Life’s for living, and right now Belle And Sebastian are having all the fun in the world and weaving all manner of magic doing just that.
Allow me to agree wholeheartedly on this one
This is a great record.
They can even perform live these days too.
Hmm
I love Belle & Sebastian almost unreservedly, but that mark's about one-and-a-half two high. It's a good album, but you only gave Dear Catastrophe Waitress 8!
er
too high, not two high.
well...
it IS a better album than DCW, which was more like a collection of epic singles for me.
Good review
looking forward to listening to it...
but that's the point
both are 'song' albums, rather than being album albums. but DCW had better songs, and felt fairly coherent. TLP is just a bit...i dunno, let's just do "Belle & Sebastian try all these retro styles in their own inimitable manner". it's good, but the songs don't feel as natural.
actually
i'll tell you what i really don't like on this album - the production. it's insensitive, messy, and rather tries to rob the band of all identity. so, i wasn't surprise to discover the producer was master of the shit, Tony Hoffer. it's amazing the album's this good with tony hoffer producing, to be honest, normally everything he touches turns to shit - masterminding Turin Brakes' worst effort, Supergrass' worst, Idlewild's worst, Air's worst...you get the picture.
Ha
i didn't realise Hoffer's track record!
if i'd known i would have been anxious about this album. that wanker ruined half of my favourite bands! i agree that this album isn't worth 9, it's equal to DCW if that got an 8. however i'd give it an 8 because i feel this is more coherent as an album (think of how Act of the Apostle is linked twice).
he
also produced Midnite Vultures by Beck - possibly his worst. how does this man get work?
I really like Midnight Vultures
However you spell it.
i LIKE it
but know in my heart that it is not in Beck's upper echelons. when it's funk, it's fantastic. when it's soul, it's shit.
Definitely
One of the best albums of the decade. Yes, I'm going to go that far.
Yay!
Tony Hoffer is my favourite.
You can't blame tony
for those bands crap songs? no matter how you produce warnings/promises it's going to be dissapointing.
The Life Pursuit is fucking brilliant by the way.
wouldn't
a good producer say "i agreed to work with you because 100 Broken Windows was good. these songs are shit. write new ones or i'm going"?
in a perfect world perhaps.
i'm sorry but
the producer has a responsibility to produce good songs, like LarsenB says, if the material's shit, he should tell the artist so. even if you don't blame him for the songs, isn't it slightly coincidental that pretty much every album he's ever done production on is shit, or at least one of the artist's weakest efforts.
oh dear
Am I a twat because I think Warnings/Promises is brilliant? I can understand why his production is disliked however, and what I've heard of Life Pursuit seems a bit soul-less. But I maintain that Warnings/Promises is an extremely accomplished album. Idlewild were too mature to write another 100th Broken Window, and they progressed to a controlled, well-arranged collection of songs on W/P.
As someone who previously found B&S abit glum
I love it. The lyrics to White Collar Boy has me grinning broadly at some perplexed passengers on the bus this morning, it's great :D
just listening to it now!
i love it. So seventies, i can see this being my summer sound track quite easily. its really brightened up my day. The fan mail and replies are an amusing addition and i love their witty replies. I think i want to marry them all including sarah :D
just peachy.
"sukie.." is my current favourite.
Grr
Can't buy this in shitty scabby Corby, the grim town I work in, so have ordered from Amazon, I can't wait to get this!
Good review
I give it 8/10.
Its a masterclass in pure pop.
It's the best record
I've heard for years. How anyone could suggest it's worse than DCW is beyond me.
You can't compare it to Tigermilk or Sinister because it's basically a different band. But in terms of songwriting it's just light years ahead of anyone else around right now.
aw, c'mon
it's a good to very good record, but DCW was fantastic - right up with sinister on the quality level
Well, it's a matter of taste innit?
I found DCW a bit hit and miss (Step in to my Office baby, anyone?) but there you go.
In terms of comparing it to Sinister (or any early - mid B&S) surely it's like comparing apples and oranges?
well
i like apples more than oranges.
and if it's a matter of taste, do you still stand by "How anyone could suggest it's worse than DCW is beyond me"?
Nah, it's no longer beyond me.
But I really, *really* prefer TLP!
GOING...
TO...SEE...THEM...TO...NIGHT
EEEEEEEEEEP!
Stunning Sebastian
Stunning Album!!!
Breezy and brilliant
The most 'up' album I've heard for a fair while... It's B&S as mischievous arched-eyebrow funkateers and it's bloody marvellous. The hooks just grab you from the first moment and you can't escape them. Fabulous.
yes
Does "The Blues Are Still Blue" remind anyone else of "Theologians" by Wilco?