Drowned in Sound

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stubbs the zombie soundtrack
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by Mike Diver
  • Type: Album
  • Release date: 06/02/2006
  • Label: Sony
  • Info: Soundtrack to the computer game

Confession time: I’ve not bought, for myself, a computer (video?) game since I was… um… much younger than I am now. The last time I sat down in front of the tellybox and plugged a barely working pad into the black plastic square below it, it was for a head-to-head match with the girlfriend on… wait for it… Micro Machines. On the Mega Drive. That’s got to be over ten years old now, at least, right? Stubbs The Zombie is a game available for some machine called XBox, or something, but that doesn’t interest me – what does is this, the game’s quite brilliantly odd soundtrack.

I’ve seen computer game soundtracks available before, but this isn’t a disc full of thumping techno or Feeder b-sides; it’s a wonderful collection of 1950s hits – Buddy Holly’s ‘Every Day’, ‘Lollipop’, ‘Earth Angel’ – lovingly covered by today’s indie rockers and poppers – Rogue Wave, Ben Kweller and Death Cab For Cutie, respectively, as far as the above go.

Granted, this could have stunk, and a couple of songs fall short of their original renderings by some margin. The Dandy Warhols’ take on ‘All I Have To Do Is Dream’ is an unsatisfying fuzzball of directionless mumbling, and Cake’s ‘Strangers In The Night’ is frustratingly ironic in its execution – it’s one song that necessitates the apostrophes about its title, whatever the house style. These are minor gripes, though, as elsewhere contemporary talents truly shine, even if their contributions fluctuate between honest translations and quite unusual reinterpretations. Trust The Flaming Lips to chip in one of the weirdest tracks here: ‘If Only I Had A Brain’ was fairly bonkers to begin with, but Wayne et al transform it into the strangest two minutes here. It sounds as if the band employed the two-dimensional talents of fifty per cent of the Cartoon Network’s stars, so surreally high-pitched are the chirping background voices.

Oranger’s ‘Mr Sandman’ is all but faithful, a little extra amplification and heightened slacker attitude aside, and The Walkmen’s ‘There Goes My Baby’ is great, but it’s the aforementioned efforts by DCFC, Rogue Wave and Kweller’s brilliant ‘Lollipop’ that comprise the head-and-shoulders standouts. You know how they go already – how can you not? You’ve seen Back To The Future, right? – but the twists these new versions provide are worth shelling out for and enjoying time and time again. The game? No idea. Can you play XBox games on a Mega Drive?

  • Various 7 / 10

I looked the game up

"The gameplay in Stubbs is pretty straightforward. Your mission is to kill everyone you see. To do so you have a range of special powers. You can fart and stun the enemy, throw explosive gut bombs, use your hand to control an enemy, and use your head as an explosive bowling ball."

That sounds like the best game ever, no?


this cd sounds

awesome.


Edge reckons..

..that the game is fairly mediocre. But I had no idea the soundtrack would be this awesome! Other games with notable soundtracks: Donkey Konga, Silent Hill, Parappa the Rapper.. some other stuff I guess.


It's worth

getting it purely for the soundtrack i guess


killer7 has an amazing soundtrack, and works really well out of context of the game.

game soundtracks are getting much much better, I feel they definately deserve more coverage.


also available

on PC. whoop.


Parappa the Rapper

I found that title so hard to say when i was young because i used to get my R's and W's mixed up.

Final Fantasy has an awesome soundtrack.


BEST SOUNDTRACK EVER

is katamari damarcy 2


Wipeout fusion...

Has a brilliant soundtrack...