Recently, Icelandic post-rock outfit Sigur Rós have been caught up in a whirlwind of success: 'Hoppipolla' has been used by the BBC to soundtrack a number of television shows, and recent long-player Takk was good enough to gain a high chart placing, a feat rarely achieved by other notable post-rock stalwarts. However, many old Sigur Rós fans found the album displeasing, with the band ditching the quiet, ethereal resplendence in favour of loud post-rock crescendos and a sugary orchestral backing. In film terms, the previous Sigur Rós albums are French film noir – romantic yet tame, focusing on morals and sentiments rather than over-the-top histonics. Takk is the Hollywood blockbuster – overblown, epic, and fast enough to keep the attention focused.
'Saeglopur' keeps to the latter structure, and rightfully so, as it sounds stunning. After the piano-led introduction, the ornamented guitars build the song up, gradually drowning out the piano and the other surrounding instruments. Jónsi Birgisson’s operatic vocals are very distinctive, making you wonder whether he may have been part of a successful scientific experiment to cross a choir boy with Thom Yorke. The remaining instruments bring it all together as if they were sound-tracking the apocalypse, with the slow, structural start juxtaposed against the grandiose finale, conjuring up images of the glacial slopes, powerful waterfalls and snow-capped mountains of Sigur Rós’ homeland.
It’s perhaps understated that Takk - however much of a departure it is from previous efforts - is an album with considerable scope and vision. 'Saeglopur' shows this quality well, but the other tracks on this EP represent a regression in Sigur Rós’ creative vision. By displaying minimalist qualities in the EP’s final tracks - each demonstrating a quieter side to the band - these comprise songs to fall asleep to; songs about still mountain forests rather than surges in glacial movement. This isn’t a bad thing, though, and if this shimmering beauty is retained come their next LP, then the departed fans disheartened with the change in direction may find themselves re-enchanted with their work. The 'Saeglopur' EP is stunning, whichever way you look at it.

Yaye
nice.
yes
a very good review, for a very good song
Thanks!
old fans
would have to be a bit blinkered if they asked Sigur Ros to 'go back' to stuff like () because if Sigur Ros really went back to their roots they'd be getting all gothy a la Von, and nobody wants that, surely?
I like experiencing a bands musical development, especially if, like SR, they stay good.
true
when a band goes to a major label it's all too easy to slate them or be sceptical but i get the feeling Sigur Ros wouldn't be shoved around or told what to do, and regardless they're still making absolutely stunning music. i think, with a band like sigur ros, if they kept repeating the same style as ageatis byjrun and () it'd probably get very tired and lose the magic.
brilliant review
xx
I think
Lyle would be happy if they went back to the Von styles - he loves that record.
I don't really share the opinion that 'Takk...' is a departure or major change to their sound. To me, it's like a continued development of the band. I can hear loads of similarities between it and 'ágætis byrjun' especially, for example in the string arrangements.
To me, it's the sound of a band honing their songcraft.
indeed !
'von' is a great record.
It takes time to get into it, but when it's done...
damn right
hun jord and myrkur are stunning
I've bought it
and let it in Paris without listening to it...
To me the difference
between () and Takk is that () works best when listened to as a whole album, whereas most tracks on Takk stand-up well when listened to individually.
The EP is worth it just to have the video for Glósóli...amazing.
AAAARGH
"...conjuring up images of the glacial slopes, powerful waterfalls and snow-capped mountains..." Why is it that such an amazing band ALWAYS inspires nothing but the laziest journalism? Discuss.
because it's not that amazing
perhaps ?
Surely it's personal
in what images it conjures up. What does it do for you?
But...
even the many reviews that've been written that absoluely bum the fuck out them still pull out the same cliched imagery. Not having a pop, tis still an ace review.
trippy in a way that no act could imitate
saw them perform recently to a packed out tent in @Oxegen festival Ireland. This band defines beautiful. Just spectacular; silhouettes, elec guitars played with violin bows, projected visuals...trippy