Sunny Casinos: a record title so summery, images of open fields collide instantly with the night-time buzz of the city. However, one minute into Jonquil's glorious debut and any images of serenity and perfection are somewhat shattered.
That's not to imply that Sunny Casinos lacks beauty. Far from it: the long, sweeping melodies that litter this LP are at times achingly perfect and the laid-back orchestration and bedroom production make for a humbling experience, with a sense of unease at every turn.
'Rings' sees former Edmund Fitzgerald guitarist Lina picking up vocal duties over the top of Microphones-esque waves of instrumentation and laid-back percussive chugging.
The 'late night' nature of Jonquil's debut could have it easily sitting on a folk compilation, whilst at the same time soundtracking your comedown from an evening of debauchery (though the occasional deviation into the twisted folk world of Charalambides would perhaps invite mild nightmares).
Having spent a good year collecting all manner of oblique instruments, project leader Hugo has carefully crafted and pulled together ten varied yet cohesive tracks and, with them, created one of the most intriguing debut albums of the year.

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"However, one minute into Jonquil's glorious debut and any images of serenity and perfection are somewhat shattered."
I keep looking for the reason why, but I can't see it.
JESUS COLIN!!
Don't you think you could use a few more full stops?
I'm out of breath reading that. You must be confusing commas with stops.
Nevermind.
fair point
long winded sentences are nice.
I'm a fan.
Some good freak folk here
I listen. I like. Mostly because in a world full of rock formula templates, these guys are unpredictable.
Wonderful
album, and it seems there is plenty more to be had from them too, saw them play recently and the new songs are sublime. So very good live too, I always like a bit of instrument swapping.