Admittedly, I audibly sighed when I discovered that I was to review this re-release. Musically, my summer was blighted by the ubiquitous 'Monster' as well as the nails-squeaking-down-a-board backing vocals of their diminutive keyboardist, Alex Pennie. More acceptable to the ears of Radio 1 listeners and people who purchase their CDs from motorway service stations than Funeral For a Friend or Lostprophets, The Automatic had a big year in 2006.
'Raoul' proves the band have the knack for creating bouncy castle-sized choruses with lyrics stating their integrity above all other bands - "it doesn’t seem like you mean, I don’t believe that you believe it". The irony is that Rob Hawkins - who hasn’t got a bad voice - tends to look embarrassed during every performance, probably because someone insists on filling every track with the cartoonish yelps of Pennie.
Creating songs out of bold, primary colours with no subtlety, this will take the band into the new year with old material. Milking their debut dry for hits isn’t the most promising sign and can only suggest that, thankfully, they may be running out of steam.
jesus.
*laments the direction his race is taking*
Yeah!
"Thankfully, they may be running out of steam."
Amen to that! Roll on the next 1 album money-maker.
sorry...
...i'm being an idiot. I can't work out whether the first half of the second paragraph is being sarcastic or objectively giving them faint praise before continuing with the we deserved critical mauling.
Not ragging on your journalism, I'm just having a thick day.
Yep
I have my copy of the album on order along with a sizeable club hammer.
Oh the pleasure.
I like this song
the trouble is that I liked it when I first heard it what must be almost a year ago now. No need for a re-release.
on popworld
they were so snobby!
being all like 'yeah, i hope these bands die, cos they're so trite and uninnovative'
it's almost as if they've never heard their music
I met
Pennie on NYE. He was surprisingly nice. I was a tit though.
whine whine whine
this is a great song which I loved first time round and still enjoy now. I can't see why re-releasing a single is tantamount to running out of steam or chronic artistic constipation, if you were a fledgling band with an unhealthily sizeable album-sized loan to pay back to a label you would re-release old singles, surely...