Sign In: or Sign Up! (forgotten password?)

Idlewild: No Emotion

idlewild no emotion
  • Type: Single
  • Release date: 26/02/2007
  • Label: Sanctuary
Buy Now: Amazon UK | iTunes UK I own this: 5 users / add your name

The road was rugged and their shirts were checked. Their hair grew longer and their band could have been the kings of the blogs, if such things existed back when Weezer were the talk of IRC and ICQ and other such things which may mean nothing to you if you’re under 22. Then again, if you’re under 22 you probably, sadly, have no idea who Idlewild are or why they’re so important to an old-timer-at-25 like me. If they were a new, brand new band now, you’d be hearing this everywhere. But the world’s obsession with new, despite the quality of it, is a huge stumbling block. This, though, won’t get in the way of DiS telling you just how mighty fine this track, available from your local record emporium or online, is.

The melody is undeniable and the guitars whoop in a doo-wer-wer-woo-woo kinda way, while the drums tinkle and thumb like Satan sat in a Polaroid smoking a cigar. But breathe a joyous sigh of relief: this tapestry is a touch closer to the radio-scapes of dEUS and Duran Duran than the REM echoes of Idlewild's recent past. It sounds bigger and braver and bolder than anything you may have heard lately from Roddy, Rod, Colin, Bob and them guys from them-bands-you-never-really-heard-of (Astrid for example). As an indication of the exhilarating new album, this is a petrol shower burst of pop and puts a fire back in the belly of anyone who still spells their name iDLEWiLD, remembers the smell of sweat ’n’ vodka during ‘A Film For The Future’ and ‘You Just Have To Be Who You Are’ and other hits from a parallel world.

Those-what-know will be happy to hear Roddy is tying his lyrics around philosophical totem poles tighter than ever before and spewing into the deluge of a mainstream world that knows not the way of French movies and books about Fugazi. In short, welcome back sirs, we’ve missed you; if this were a different time and a different place we’d wager our booze money on this being one of those universally quantifiable ‘hits’. In the meantime, you pesky purchasers of records, go DiScover this band for the first time if need be, crank it up and fall in love with them. There are few bands that crawl so deep into your purple soul, bringing boys ’n’ girls who should know better out in mini earthquakes of emo shapes.

  • Idlewild 9 / 10
  • no emotion.

    exactly.

    predictable response, but i had high hopes for the new idlewild album and it's not surprising that i was let down to be honest.

  • I disagree..

    ..it sounds like The Rasmus and certainly isn't a return to form of The Remote Part and previous :(

  • a pale pastiche

    of what they once were. This does *nothing* for me whatsoever.

    • Where's the fire?

      You've Lost Your Way has surely become the band's slogan now.

      • its not

        the best song on the album and shouldnt have been released in my opinion.

      • how can people not like this!?

        it's a massive return to form after the last album - it makes me wanna dance around my room.

        • That is not

          the reason why I loved Idlewild.

          The reason was that they made me want to throw myself into strangers, drink lots and lots of beer, and scream "SHES ONLY SIXTEEN BUT SHE'S SEWN UP!"

          • Damn the naysayers

            ...to hell, I simply adore this track! Glad to see it's getting caned on XFM.

          • .

            i have as many problems with idlewild/roddy and their/his retreat into easy acoustic folkiness as anyone but this song is wonderful, and utterly perfect pop music, everything pop music should be. i mean, if this song had been an album track on 100 broken windows or the remote part, would all the naysayers have criticised it then? would they fuck

            • I

              agree with you here. I really want to enjoy idlewild again, I'd like nothing more. But I seem to be missing how this is a return to form? It isn't a touch on anything from 100 Broken Windows and Hope Is Important....I know, I know "get over it"...

            • this song is possibly

              the worst idlewild song yet....

              its the weakest track from an otherwise fantastic new album...

              as someone who has been into idlewild since hope is important (and someone who likes album 4 too) i feel there is something wrong with whoever picks the singles....

              its almost always IMO the weaker tracks from their albums

              anyways the new album is brilliant x

            • are you kidding

              this song wouldnt even be a b-side from any of those two albums...

          • their worst single ever

            I hope the album's better.

            • What is it

              with British rock bands coming out with a token "dance" track? Biffy Clyro had Glitter and Trauma; Hundred Reasons had No Pretending. I'm sure there's more.

              Anyway, I don't really like this song. This disco beat is silly. But I still like Roddy's voice, and there are better songs on the album.

          • dunno,

            but i like the dEUS reference. very underrated, them.

          • Its a bit boring reeally

            :/

          • THE ADVERT IS FUCKING ANNOYING

            I'm getting round to downloading Firefox because of Idlewild. That's all they've accomplished. Song's a stinker.

          • Good but

            not the greatest on the album. Finished It Remains is my favourite on the new record.

          • Age

            Your profile says you're 24, 'old timer' :)

          • I

            saw them about four years ago when I was like 16! The song is ok, but I think this review is a little generous.

            • this is the

              worst song from their worst album and DIS is only licking their collective arses cos theyve been paid a shit load of cash for advertising