Preteen Weaponry is a decent return that feels as if it’s pre-empting something rather than standing out as a glorious Oneida spectacle…
At face value All We Could Do Was Sing represents a wonderfully simple sentiment: to sing for the fundamental pleasure of doing so…
Darren Hayman is fast becoming as much of a great British institution as Queen Victoria, afternoon tea and single mums…
There are good moments here – notably the confident swagger of opener ‘Automatic’ – yet listening to Gramercy Arms is a strangely unsettling experience…
Every one of The Little Ones' songs on Morning Tide seems laced with a smile so fake you want to punch it until it bleeds something real…
It doesn’t take long to suss that Jay Reatard might not take his music – lo-fi garage rock dripping with catchy hooks – completely seriously…
While her vocal enthusiasm is commendable, there’s not enough bite to Ida Maria’s zesty pop-rock for it to really impress here…
SMD's remix LP Sample And Hold drizzles attention-spans with infrequent showers rather than engulfing them in a waterfall-like continuum…
For those that don’t know, Polar Bear are a jazz band, and in 2005 were the token jazz nomination for the Mercury Music Prize. …
Things start promisingly enough on XX Teens' Welcome to Goon Island, but there is a confusing sense that we’ve heard all this before…
Black Affair is the dark side of the Steve Mason moon, one of mordant ‘80s electro, soulless metronomy and dark industrialism…
John Baker composed virtually nothing between 1974 and 1997, but these collections stand as reminders of a visionary composer's talent…